The Power Of Audio Personalisation
In recent years, audio advertising has undergone significant innovation resulting in a wide range of addressable formats and an increase in reach across the digital space. Despite this, achieving cut-through in the crowded audio landscape is more challenging than ever before. To create impact, advertisers need to focus on relevance, engagement, and personalisation.
1. Relevance is Key –
To create a message that resonates with listeners, advertisers must have a deep understanding of their audience. Data analysis and audience profiling provide valuable insights into listener behaviours, interests, and preferences. With this information, advertisers can tailor their message to align with the audience’s interests, making it more relevant and impactful.
2. Engagement is Crucial –
To stand out in the crowded audio landscape, advertisers must create engaging messages that capture the listener’s attention. Interactive audio ads are an effective way to achieve this. By prompting listeners to answer a question or complete a task, advertisers can create a more memorable and engaging experience. Interactive ads are more likely to drive engagement, increase brand awareness, and drive conversions.
3. Personalisation is Vital –
Personalisation is an essential tool for creating relevance and engagement in audio advertising. By tailoring audio messages to specific listeners, advertisers can create a more personalised experience that resonates with the audience. At Opticomm, we have seen significant success in using personalisation touchpoints such as name, gender, and location for our clients. Including these details creates a sense of connection and increases the likelihood of the message being remembered and acted upon.
4. Our Results –
At Opticomm, we have been utilising the new opportunities of audio personalisation to our advantage, resulting in a significant impact on results. Through OptiBank, we have seen an average of 65% higher engagement from audio ads across our client base in the last 3 months and 20% higher ROI for performance campaigns.
In conclusion, audio advertising has evolved significantly, resulting in an increase in reach and a diverse range of formats. However, achieving cut-through requires creating targeted, relevant, engaging, and personalised messages that resonate with listeners. By using personalisation techniques and creating engaging content, advertisers can achieve significant results in the crowded audio landscape.
At Opticomm, we have seen firsthand the power of personalisation and are committed to helping our clients create impactful audio advertising campaigns.
It’s 2023, so what’s in store for Media Land?
It’s already looking like an interesting year in media, with a host of exciting, new developments – not least of which is the fact that there will be advertising on Netflix for the very first time!
Here at Opticomm we’ve got together to pool our thinking and provide you with a clear outline of what we might expect to see, media channel by media channel.
We think you’ll find it offers you and your business real food for thought…
Print –
Unsurprisingly, circulations (when publishers are even willing to publish them!) are still decreasing – even in the once-buoyant free-sheet market.
We expect to see a marked increase in subscription marketing from all of the major media owners and, like it or not, paywalls are almost certain to become standard. We may even be saying goodbye to free content from the Guardian and the Daily Mail.
But that doesn’t mean that value can’t be created; there has been a remarkable centralization of the sales process. For example, the Daily Mail team now sell the Telegraph group and press inserts have been all-but entirely centralized across all of the major national press titles.
Here at Opticomm, we have started to recognize this, creating some excellent, specific deals. In addition, the short-term market is still a fertile hunting ground for those who want to squeeze maximum value from the medium.
The much-heralded move by media owners to create ‘joined-up digital and print’ has yet to really pay off – and without a meaningful link between the two channels in customer use and the way that client/agency teams work, any progress will be an uphill challenge.
In the world of magazines, the picture is very similar to what find in the national press – circulations are declining and there is an increased effort to sell a joined-up print and digital offering. We shall have to wait and see whether this initiative bears fruit.
Despite the many challenges, some specific sectors do remain attractive for tailored activity -and sometimes joined-up digital and print packages can make sense, depending on your specific objective. We’re always on top of the latest developments so please do talk to our print team about your objectives.
Cinema –
We are going to go out on a limb here, and say that if you’re looking for maximum impact, now is a great time to use the most immersive and impressive audio-visual format available in the world today.
Whilst reach is expensive in cinema, targeted and tailored-by-film options are definitely worth looking at as the sector begins to find its post-covid feet again. AGP packages where the audience delivery is guaranteed are now working to similarly BVOD costs and delivery can offer a real advantage in impact. This year sees several blockbusters – Indiana Jones 5, John Wick 4, Dune Part 2, Creed 3, Little Mermaid (real world!) and Oppenheimer to name just a few. If there’s a match with your product and target audience, cinema is certainly something you might want to talk to us about
TV –
Welcome to a world of fragmentation!
In recent years, we have seen increasing fragmentation and 2023 will be no different. TV is, quite simply, no longer the domain of the 16 – 34-year-old viewer, as more and more people of all ages are now turning to Video On Demand and CTV channels.
The world of VOD looks to be the area where we will see the most real change and development. In fact, if there is the level of investment we expect, we may see VOD grow to get the coverage it needs to stand alone… though that day may still be a long way off.
From an advertising perspective Netflix have just started their first forays into advertising and we expect Disney+ to follow suit. Their biggest issues, of course, will be how to price their offerings, to both advertisers and subscribers.
One thing we at Opticomm are really excited about is the potential additional audiences that CFlight are planning to introduce (currently it’s just for adults). It allows us to see the incremental impact of combining VOD with linear TV advertising – and that will be vital in proving the value of the platforms in isolation or in combination.
In addition, with more and more issues tracking digitally, we expect to see an increase in properly addressable TV. We have been building a wealth of customer data and can accurately pinpoint even the most niche audiences while using broadcast platforms. Even the traditional linear Channels are moving to addressable content first, with the likes of ITV revamping their hub last year to ITVX where they are beginning to launch Big Name shows which will only be available exclusively on the platform for at least six months, in a bid to draw more audiences to their digital platform.
Even when we take all this change and development into account, linear TV is still the best platform for driving big audiences at key moments – and with two new series of both Love Island and I’m A Celebrity this year – ITV will certainly be hoping for a bumper year!
Social –
Social trends
As the army of creators gather, growth in influencer marketing and brand partnership is now becoming a crucial element of any intelligent media plan.
Social commerce harnessed this well last year, but we should expect to see non-e-commerce brands getting in on the act throughout the months to come.
The ‘Cookie Apocalypse’ continues whilst people get back on their feet with server-to-server tracking. This should really be at the top of every marketer’s to-do list – even more so since Meta might well ‘sunset’ pixel tracking – causing further disruption to advertising on social.
The battle of the creative work generated by humans versus that produced by AIs is really heating up – and will get even hotter as more open AI resources become available.
Do we think this will be good for our industry?
“Yes!, AI and the world of automation should be used to help you deliver the everyday mundane tasks that can be automated – giving us more time to plan and be more creative”
Sanjeev Patel, Opticomm
Display –
One of Opticomm’s top insights this year is that he agility and scale that display advertising can deliver could create a massive upsurge in the use of this medium.
As TV viewing habits change dramatically, we will see more and more people deciding to stream their TV programmes – and therefore the CTV ad space will almost certainly experience ever-higher demand.
This context almost certainly means that Digital Out Of Home and Audio channels will experience significant growth in both capability and inventory – and that can only be great news for advertisers seeking scale.
As in the world of social media, the ‘Cookie Apocalypse’ will continue to have a tremendous impact, but more and more marketers have already made the very sensible decision to grow their first-party data.
Those who haven’t may well find that the journey to get back on their feet takes a little longer.
With so many advertisers flocking to display due to the tracking issues inherent in the use of social, we are sure to see higher demand for creative formats that generate better, longer-lasting user engagement
Search –
‘Incrementality Testing’, the upcoming trend in Google Search is something we all need to focus on this year.
With post-covid marketing budgets shrinking in comparison with 2019, the need to measure the effectiveness of campaigns in terms of conversions is more crucial than ever.
Incrementality testing allows you to determine the number of conversions that are directly attributed to a user’s exposure to your ad, by ignoring conversions that would have happened regardless of any campaign activity.
The Cookie-less future of search is gearing up towards modeling systems that can ‘Fill the gaps’.
It will be imperative for brands to set up server-side tracking and to future-proof their efforts.
Shopping behaviour is constantly changing, and now the dust seems to be settling on a post-covid world.
Black Friday saw a 200% increase in sales. And as the cost of living crisis continues to erode brand loyalty, and people search for cheaper options, the number of touchpoints will increase – making it all the more important to intercept the ‘purchase journey’ at the earliest possible point.
Audio –
The latest Rajar figures show these are exciting times for Commercial stations – they overtook BBC in the third quarter with 38 million people listening every week in quarter four. Here at Opticomm we don’t think this is just a ‘blip’ n- and we don’t think this new reality is likely to change any time soon.
The expansion of Greatest Hits Radio has also helped to drive the growth of Commercial – with more transmitters and the continuing expansion of existing networks. Add the fact they have got Radio 2’s Legendary Ken Bruce coming on air in April – and we can only expect a further surge in weekly listeners and more numbers stolen from the BBC.
Digital elements have also been a powerful driver in the growth of commercial radio. Sales of Smart Speakers continue to grow and now account for a healthy 14% of total share. They also now account for 24% of total online radio listening.
This trend is sure to continue in 2023 and we wouldn’t be surprised to see significant increases by Q4 2023. Bauer reports that more than 75% of its audience listen via a digital device!
In addition, we expect dramatic growth from the ever-improving territory of podcast listening.
This is a juggernaut that shows no signs of slowing down!
Finally, we are looking forward to even more developments in creative ways of reaching people – from Voice Interactive campaigns to utilizing companion banners that will allow for clicks from ads that are served on the digital platforms. We anticipate far more efficient tracking and believe we will be able to prove the value of radio within the context of a hardworking performance campaign
Outdoor –
Alongside cinema, outdoor activity is starting to see a meaningful recovery from the effects of the pandemic and, in fact, has experienced even greater advertiser demand.
The move to digital formats is a continuing and growing trend. A great example of where this may make a real difference is in the use of train card panels – where the cost of production is expensive – almost prohibitive.
We are also witnessing the emergence of tailored digital beyond the standard. We are now able to look at sites where the ad changes when the temperature drops – and there have been significant developments in sophisticated video recognition techniques. For example, at sites experiencing heavy vehicular traffic, we can serve creative work against car brands that stop at nearby traffic lights. Other developments we expect to see are high-impact 3D creative executions and other options that dramatically increase noticeability.
With media owners already rolling out new ways of attracting consumer attention, – we are expecting production costs to decrease and these new formats to become increasingly affordable.
These are our thoughts on the media landscape for 2023 and beyond, if you’d like to discuss any of these channels with the Opticomm team, please get in touch and we’ll be delighted to share our insights in greater detail. We’re looking forward to working with you!
Google analytics? Welcome to the future.
Businesses like yours are getting ready for Google Analytics 4 (GA4), the next generation of Google Analytics. It’s designed to provide a more comprehensive and accurate analysis of how your users interact with your website or app.
It’s important to note that if you are using the current version of Google Analytics (Universal Analytics), you’ll need to migrate to GA4 in order to continue using the service.
If you want to prepare for the imminent transition to GA4, there are four straightforward things that you can do right now:
1. Familiarize yourself with GA4:
Take some time right now to learn about the new features and capabilities of GA4. You can find all the information you need about GA4 on the Google Analytics website. Obvious? Yes. Necessary? Absolutely!
2. Determine if you need to migrate:
If you are currently using Universal Analytics, you’ll need to migrate to GA4 at some point in the next six months. However, if you are not using Universal Analytics, you may not need to do so.
3. Plan your migration:
If you do need to migrate to GA4, you should plan your migration carefully. You may need to update your tracking code, setting up new event tracking, and configuring your reporting.
4. Test your implementation:
Before you complete the switch to GA4, it’s a good idea to test your implementation to make sure everything is working correctly. This will help you identify and fix any issues before they become a problem.
The deadline for the transition to GA4 is the 1st of July 2023 so you’ll need to take action on this and manage the transition before that date.
You’ll be glad to learn that we’ve already helped many of our clients prepare for GA4 and we are ready and willing to help you too. If you haven’t migrated yet, get in touch with us today and look forward to a new world of better analytics that will support your business into the future.
Media budgets? Get more for less.
As we move into 2023, economic forecasts are painting a worrying picture of doom and gloom – and many of our clients are experiencing real budgetary pressure as a result of this commercial pessimism.
Naturally, when budgets are reduced it makes sense to re-focus and adjust your plans accordingly. What’s more, we often find that performance expectations remain unchanged or even rise despite falling budgets. And that can make our task as marketers seem all-but impossible.
Don’t worry!
Here at Opticomm that’s just the sort of challenge we thrive on.
Our process is perfectly suited to times of austerity and, immediately, there are four things you can consider which could make a real difference to your prospects and help your marketing pound work harder for you:
1. Focus your audience –
by targeting a tighter audience you can often gain a higher Share of Voice (SOV) and increase frequency – even with a decreased spend.
2. Concentrate on a specific geography –
rather than using a scattergun national approach you can tailor your footprint to the best possible areas in order to maintain – or even increase – your SOV.
3. Adjust your campaign window –
convention tells us to run our campaigns across calendar months, or four-week blocks. Why not just two weeks? Or even just a day?
4. Buy clever –
it’s possible to take advantage of cheap media options but not in a way that blindly says ‘its cheap so do it’. Instead you can home in on channels that really make sense and precisely deliver the audiences you need. Is there a way of using the media that will create just as much value but deliver it at a lower price point? Here at Opticomm over the last six months we have been developing deals designed to do just that.
Don’t just take our word for it: by employing a number of these tactics we’ve achieved great success for our client Oppo, the up-and-coming challenger brand in the mobile phone space. We restricted their Reno8 launch to just 3 major cities; London, Manchester and Liverpool and the results were excellent.
And with Marie Curie we have worked hard to refine their target audience in order to deliver more successful and cost-effective brand and response work.
If your business is dealing with increased budgetary pressure, get in touch with us today and we’ll demonstrate how these options can work harder to deliver you more for less.
And a finalist at this year’s European Paid Media Awards for the best paid social campaign
The EFPIA Campaign, selected as a finalist in the European Paid Media Awards for best social media campaign, which the team at Opticomm is extremely proud of – results out in September!
Top 5 things to focus on when targeting 15-18 year olds
At Opticomm our education clients needs to really engage with this key age group but it’s not easy – if you are doing a campaign here are the top 5 things to remember;
1. Instagram is the player
Meta gets a wider reach than any other platform – and unlike older audiences, Instagram dominates the Meta platform with 84% using it. At Opticomm we utilise Instagram as the building block for all campaigns, but for those performance based ones you have to include Facebook too if you want to achieve good results at a low CPA.

2. You need more than just Instagram
There is also a significant reach that Snapchat gets at 71% and TikTok at 58%. The reason we don’t focus solely on Instagram is the way it’s being used; sometimes it’s all about the DM’s (with no ads) and sometimes it’s about scrolling and the stories (all about the ads).
It also helps for impact if it’s seen in more than one channel – you can achieve a sense of scale and visual impact from multi-layers that you can’t always get from mobile ads.
There are also cost benefits – with CPMs currently being circa 33% lower than Meta, it can deliver you cheap incremental reach and frequency.
3. You need lots of formats and variations
Having the ability to inhabit any area on a platform is essential due to the different behavior that audiences have – it means you can make the most of that reach and impact. Having a look at post campaign analysis can help you find the formats that work the best and are worth focusing on.
60% of 15-18 year olds are on platforms like TikTok more than 10 times a day – if you are running a traditional 4 week campaign you need a lot of creative to avoid fatigue and becoming a wallpaper! We recommend adding two new variants per week – but don’t be alarmed… you can reintroduce the old creative after 2 weeks and it can achieve the results of something brand new!
4. Video is king
Video is an absolute must, even if it’s only a GIF that you can produce – this is proven by all the campaigns we do for clients like Pearson, where we always see engagement rates 70% higher than for static ads (however the opposite is true for parents).
Vertical video allows you access to most placements – but if you can develop a 1:1 aspect ratio too you’ll maximise both the reach and performance metrics!
5. Authenticity
The 15-18 year olds of today are actually pretty switched on – they are used to a world where someone talks to them directly in a 1-1 manner. If you’ve invested a lot in advertising campaign material, that’s great – it can work; but at the same time we’ve seen that only a talking head can do better than anything else – and the more authentic the better!

If you want to target this audience and need results speak to us and we don’t mind what platform you use!
Can the TV advertising market ‘chill’ with developments over at Netflix?
Opticomm’s Broadcast Director Nicky Legg takes a look at developments in the fast moving VOD market and how it might affect the TV market.
Anyone who has a Now TV subscription will recall last year’s sudden change and ‘experiment’ with ad placement into content streams. While this can be negated at a cost, it looks like the hybrid model is here to stay and is being considered even by the most fervent anti-ad services…namely Netflix. Netflix CEO Reed Hastings told his employees just after their first quarter report that this model could in fact be with us by the end of the year.
So why is Netflix looking at it such a big deal? Namely its sheer size! (see fig1)

The business model Netflix moves to and the level of targeting possible will really dictate what effect it will have. The challenge to broadcast linear activity is probably a distant one despite the reach capabilities, when compared to linear CPT’s even on ITV prices, which are likely to be twice to three times the cost per thousand for large broadcast audiences. By adding a video reach capability to Netflix users who don’t watch linear TV, a demonstrable effect may be feasible.

It’s clear there is a real difference and opportunity when it comes to age. Targeting older audiences at volume for reach and awareness goals will be much more efficient than using more traditional linear channels and models. However for younger audiences, if Netflix can hold their audience reach, integrate advertising and get a competitive price they may just have the magic key. No other commercial provider can come close to their reach and even older audiences only deliver more in the 65+ market. (see fig3)

While it appears that VOD providers have nothing to relax about, if you are targeting 20-45 year olds you can anticipate chilling just a little bit.
Facebook conversion – the harder we work the luckier we are…
If you’ve been using Facebook over the past 18 months it’s likely you’ve seen a significant change in results and are a little perplexed as to what to do to try and reverse these fortunes.
The reality is there is no quick fix or technology ‘overlay’ up for grabs – to get results back on track it’s all down to a combination of insight, testing and hard work.
With conversion tracking that worked over a longer period Facebook used to be able to find converters more quickly allowing it to get out of learning phases and into conversion optimisation – and do it against broad audiences with a lower CPM making ROI’s high.
We have gone back to the basics and our tests are proven to work. The team at Opticomm use our experience coupled with desktop data (TGI, PULSAR, GWI) and where possible warm cues to make our clients’ campaigns compare to those golden days. We then also use some digital elbow grease to optimise the campaign to an inch of its life – looking not just at audience and creatives, but how the platform is behaving – the reach and frequency of the campaign, the CPM and the auction competition. It’s how for small charities like RAFA we can level up the playing field and bring cost per acquisition on their lottery programme and fundraising programmes at the same efficacy as those of our larger clients.
If you feel you aren’t achieving the results you used to and need some advice, get in touch with Opticomm today!
IOS 14 Mega update event Q1 2021 – Important and Urgent!
IOS 14 Mega update event Q1 2021 – Important and Urgent!
What’s the big deal?
Apple’s latest update is going to include an opt-out for applications advertising data personalisation. This is expected to lead to large scale opt-outs.
Why’s this important?
One of the biggest IOS application uses is Facebook – with the removal of consent lookalike audiences, performance campaigns and conversion tracking will be almost catastrophically affected. For example, even with consent, the MAXIMUM tracked events will be 8, only…..
All performance campaigns will be affected.
When is this happening?
Promptly! It is expected early 2021, Apple hasn’t stated the exact release date – but it’s coming and we’ll update you all once we hear!
Is there anything I can do?
If you are a current Opticomm client speak to your team now about steps we are going introducing to mitigate this issue.
If not get in touch with us on [email protected] to find out what we can do to help.
5 essentials for successful paid-social fundraising campaigns
At Opticomm we have been building successful Social Media fundraising campaigns for our Charity clients for a long time – we love to see our campaigns fly and achieve ROI’s everyone thinks are unachievable. There’s very little luck involved, instead it has taken a lot of effort, testing and refining our approach to really nail it. To save you that pain of that journey here are the top 5 tips for success – enjoy the fruits of our labour!
If you are thinking of either taking the leap or can’t seem to get the results you know others are getting – get in touch!
1. Planning – Plan, Plan, Plan
You can never forget the traditional planning rigour – start with a proposition or message, then the audience and then the media. It’s a good structure that’s just as relevant to Social as any other format. Pegging this against a communications framework, we like ARICA (Awareness, Relevance, Interest, Consideration and then Action), will also assist in developing a plan that over achieves against the goals set – and we all like that! We have developed single plans that start with awareness and then morph into fundraising – all possible and made much easier with sequential ad placing (dictating which creative in seen by which audiences in a specific order).
2. Audience – Keep it broad or keep it warm
As a rule, aside from obvious warmer audiences, ‘go broad’ – this allows Facebook targeting to work its magic and start to deliver more of the same people that will engage and convert. It does this by broadcasting to pools and seeing which take the bait and then follows it with roll outs until it sees marked decline.
As for warm audiences, fan pools are key – remember to keep a campaign schedule of at least once every 6 months or these will soon disappear. It’s also worth remembering that retargeting is perfectly legitimate on Facebook, even in the most strict of GDPR environments. Great for getting those conversion action rates up.

3. Channel – Facebook rules
What channel choice really depends on what audience you are after – generally Facebook rules – really because it can do everything and reach everyone – from brand awareness through to pure ROI. It allows creative testing, regional variation, specific audiences (for some clients we have even used it to target parents of specific ages). However for younger audiences usage is sparing – not nothing but limited – and our experience has shown campaigns really need to layer to any target group under 30.
We are starting to see real performance in this group from both Snapchat and TikTok!
4. Creative -Vary your creative
Nothing is better than seeing click rates through the roof because the marriage of message and audience is brought together strongly by the creative. However we have seen also big variations in how different images perform – not just at a response level but through to donation. In a recent donation campaign for a health charity there was 108% variance in creative that showed the beneficiary vs one that didn’t – this is replicated into other sectors such as animal welfare where the variation has been over 120%. It’s not just the visuals that count, copy has just as a dramatic effect, where more emotive story telling vs information and statistic based reason typically sees over an 100% increase in donation value. We use a bespoke testing methodology up front to ensure once the campaign is fully active we aren’t using that time to learn what delivers.
5. Optimise, report and repeat
The harder we work at optimisation the luckier we get delivering above target campaign performance. Much of the hard miles is in the daily tweaks we make to ensure the campaigns we run are achieving to plan and above. Our gold class reporting schedule utilises online dashboards and weekly calls as standard and means we don’t just pick up media issues but also onsite UX issues. For one client we worked collaboratively to achieve a 300% increase in onsite conversion directly from a media reporting call. One watch out is once a campaign is live those pesky consumers might engage in your posts and that means moderation!
Of course, as per old school DR plans the trick is to take the learning and repeat -but in Social it’s usually at greater volume and a better efficiency.
More donors more cheaply – sounds good!